Alexander N Y After the introduction of Superial, DC, and Classique in the 1990s, we began to conceive of a model which would add a new and different dimension to the tonal universe of our reeds. This reed was born following extensive...

Alexander Superial DC After introducing Superial, I wanted to add another model to our line which I thought might meet the needs of players who were looking for a different style cut and tonal response. Using the same cane, we made...

Alexander Superial In the early 1990s, after many months of intense development and testing of prototypes, the original Alexander Superial was put into production. Our aim with this first model was to design a reed which produced a warm,...

Alexander Classique In 1997, following the introduction of Superial and DC, we felt another line of reeds was needed to address the specific needs of classical woodwind players or jazz players wanting a bit more resistance and darkness...

Alexander Superial In the early 1990s, after many months of intense development and testing of prototypes, the original Alexander Superial was put into production. Our aim with this first model was to design a reed which produced a warm,...

Alexander N Y After the introduction of Superial, DC, and Classique in the 1990s, we began to conceive of a model which would add a new and different dimension to the tonal universe of our reeds. This reed was born following extensive...

Alexander Superial DC After introducing Superial, I wanted to add another model to our line which I thought might meet the needs of players who were looking for a different style cut and tonal response. Using the same cane, we made...